Decoding the New York Mayor's Style Choice: The Garment He Wears Tells Us About Contemporary Masculinity and a Shifting Society.
Growing up in London during the noughties, I was constantly immersed in a world of suits. You saw them on City financiers rushing through the Square Mile. You could spot them on dads in the city's great park, playing with footballs in the evening light. At school, a cheap grey suit was our mandatory uniform. Historically, the suit has functioned as a uniform of seriousness, projecting power and performance—qualities I was expected to embrace to become a "adult". Yet, until lately, people my age seemed to wear them less and less, and they had all but vanished from my consciousness.
Then came the newly elected New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony wearing a subdued black overcoat, crisp white shirt, and a distinctive silk tie. Riding high by an ingenious campaign, he captured the public's imagination like no other recent contender for city hall. But whether he was cheering in a music venue or appearing at a film premiere, one thing remained mostly constant: he was almost always in a suit. Relaxed in fit, modern with soft shoulders, yet conventional, his is a quintessentially professional millennial suit—well, as common as it can be for a generation that seldom chooses to wear one.
"The suit is in this strange place," notes men's fashion writer Derek Guy. "It's been dying a gradual fade since the end of the second world war," with the real dip coming in the 1990s alongside "the advent of business casual."
"It's basically only worn in the most formal locations: marriages, memorials, to some extent, legal proceedings," Guy states. "It's sort of like the kimono in Japan," in that it "essentially represents a tradition that has long ceded from everyday use." Many politicians "wear a suit to say: 'I am a politician, you can trust me. You should support me. I have legitimacy.'" Although the suit has historically conveyed this, today it performs authority in the hope of gaining public trust. As Guy clarifies: "Since we're also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." To a large extent, a suit is just a subtle form of performance, in that it enacts masculinity, authority and even closeness to power.
Guy's words resonated deeply. On the infrequent times I require a suit—for a wedding or black-tie event—I retrieve the one I bought from a Tokyo department store a few years ago. When I first selected it, it made me feel refined and expensive, but its tailored fit now feels outdated. I suspect this sensation will be only too familiar for numerous people in the global community whose families originate in other places, particularly global south countries.
Unsurprisingly, the working man's suit has fallen out of fashion. Like a pair of jeans, a suit's shape goes through cycles; a particular cut can therefore characterize an era—and feel quickly outdated. Take now: more relaxed suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a considerable investment for something destined to be out of fashion within five years. Yet the appeal, at least in certain circles, persists: in the past year, major retailers report suit sales rising more than 20% as customers "move away from the suit being daily attire towards an appetite to invest in something exceptional."
The Politics of a Accessible Suit
The mayor's go-to suit is from a contemporary brand, a Dutch label that sells in a moderate price bracket. "He is precisely a product of his background," says Guy. "In his thirties, he's neither poor nor extremely wealthy." Therefore, his mid-level suit will resonate with the group most inclined to support him: people in their 30s and 40s, college graduates earning professional incomes, often frustrated by the expense of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits plausibly align with his proposed policies—which include a capping rents, building affordable homes, and free public buses.
"You could never imagine Donald Trump wearing this brand; he's a Brioni person," says Guy. "He's extremely wealthy and was raised in that property development world. A power suit fits seamlessly with that elite, just as attainable brands fit naturally with Mamdani's cohort."
The legacy of suits in politics is long and storied: from a well-known leader's "controversial" beige attire to other world leaders and their suspiciously polished, custom-fit appearance. Like a certain British politician discovered, the suit doesn't just clothe the politician; it has the potential to characterize them.
The Act of Banality and Protective Armor
Perhaps the point is what one academic calls the "performance of banality", invoking the suit's historical role as a standard attire of political power. Mamdani's specific selection taps into a deliberate modesty, neither shabby nor showy—"respectability politics" in an unobtrusive suit—to help him connect with as many voters as possible. But, some think Mamdani would be cognizant of the suit's military and colonial legacy: "The suit isn't apolitical; scholars have long pointed out that its modern roots lie in military or colonial administration." It is also seen as a form of defensive shield: "It is argued that if you're a person of color, you might not get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, particularly to those who might question it.
This kind of sartorial "changing styles" is not a new phenomenon. Indeed historical leaders once donned three-piece suits during their early years. These days, certain world leaders have begun swapping their typical fatigues for a dark formal outfit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's image, the struggle between insider and outsider is visible."
The attire Mamdani chooses is highly symbolic. "As a Muslim child of immigrants of Indian descent and a progressive politician, he is under scrutiny to conform to what many American voters look for as a marker of leadership," says one author, while at the same time needing to navigate carefully by "not looking like an establishment figure betraying his distinctive roots and values."
Yet there is an sharp awareness of the double standards applied to suit-wearers and what is read into it. "This could stem in part from Mamdani being a younger leader, able to adopt different personas to fit the situation, but it may also be part of his diverse background, where adapting between cultures, customs and attire is common," commentators note. "White males can remain unnoticed," but when women and ethnic minorities "attempt to gain the authority that suits represent," they must meticulously navigate the expectations associated with them.
In every seam of Mamdani's public persona, the tension between belonging and displacement, insider and outsider, is visible. I know well the discomfort of trying to conform to something not designed with me in mind, be it an inherited tradition, the society I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in politics, image is never neutral.